The relief I felt when this album finished was like waking up after a long illness, shaky and still a bit fragile but happy in the knowledge that the worst was now behind me. a riff change? Yes it's very heavy and very monolithic in it's approach, but it's also dynamically dull and almost bereft of variation and sonic alteration. The digital copy. I don't know what it means or if there is any thought behind those lyrics at all but it just fits so perfectly that you once again have a picture in your head. Dopesmoker, an Album by Sleep. But what I know it is is an ambitious musical creation that sinks in and and soaks your brain with these sounds and waves and words and it's just amazing. After which, it’s heads down for another 5 or 6 minutes of outrageous stoner-rock (hahahhaha, this HAS to be about the only band on earth that probably wouldn’t mind the “Stoner-Rock” label) before OH JESUS, BENDY BASS LICK INTO 3 MINUTE FUCKING VOLCANIC META-SOLO. The drumming is slow and is more of a time-keeping instrument (not in the musical way, really) than a percussive assault. "Dopesmoker" has a lengthy guitar intro before the rest of the band kicks in, let alone the vocals. Stellar. The best thing about the song is: it never seems to end. It is a masterpiece, it is art and it is a monolith. This album makes you feel like you are stoned as you journey through the blistering desert carrying the largest (and first) shipment of cannabis to the sacred city of Nazareth. Thick, bass-heavy sounds that are definately marijuana inspired, rolling on for an hour straight. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. Why did someone have to create something so meaningful, yet absolutely unexplicable and formless? I shat myself in its heaviness and awesomeness. It's an entity. Jeremy Ulrey. If you though are on the fence on whether you should buy this you should listen in a room with a lava lamp, a black light with a cool poster, and something that will give you a good buzz. When you hear the end of this album it’s weird remembering that there was a reality when this music wasn’t playing. It is definitely not for everyone, but if you love stoner metal/rock, doom metal, drone or sludge this is a wonderful album for you. Now, the main song is something rather out of line. This is the heaviest fucking album I've ever heard. Hardly anything new or stimulating happens throughout Dopesmoker’s bloated runtime, the most thrilling occurrence the switch between simple, forgettable riff to another forgettable riff. I most certainly do. For the next few minutes the listener could think the riff never changes but actually there are minor differences in the constant repetition of the theme. Reviewed in the United States on January 22, 2018. oh yeah man. The drumming is similar to a lot of Doom Metal, using the crash to carry the beat a lot of the time, usually nothing ridiculously complex etc. It's like being annoyed at Napalm Death not attempting to write any epics, yknow? It's the soundtrack to an extended ritual of worship. Then the drums and the bass kick in and everything seems to fit perfectly. Sleep are a band totally unlike any other and even if bearing some similar traits to other bands, their music is comepletely different. Surprisingly the track does have a conclusion and a very calm, matter-of-fact one at that. The drummer does a decent job, as the song’s backbone, and his chaotic, all-over-the-place style is well0-suited to the music. Sonic Titan, the bonus track on the 2003 issue of Dopesmoker from Tee-Pee Records, was a far better addition to the album, and I truly have no clue why Southern Lord would choose not to include it this time around. You feel like you’re living the journey with this caravan by the end of 63 minute play time of the title track. The album is broken up into parts which all have individual riff sections, titles and are all linked to the journey across the desert, every part was said to be recorded on spools of tape as claimed by Matt Pike. The story makes this song and album even more interesting and adds a conceptual feel to it, so those who say it is boring are idiotic. It's the best parts of Sabbath, except with cranked Metamps and three guys being strung out on some serious conceptual shit. Published. Then, they decide to prove that they’ve taken this whole Black Sabbath-stoner thing to its logical conclusion by blatantly ripping off the Iron Man riff, fucking with it for a few minutes, then discarding it and pummeling you until just after the hour mark, when they FINALLY stop. Dopesmoker as a song and as a record is one and only. If "narcolepsy inducing" is "hypnotic", then indeed, Dopesmoker is hypnotic. First, the opus itself. Read and write album reviews for Dopesmoker - Sleep on AllMusic There’s so little variation, and even the riffs are lackluster and the overall sound of the instruments is poor. I can't say more good things about Dopesmoker. We still have Sonic Titan (live). He’s got to be absolutely stoned when recording these vocals, no doubt about that. This is one of the best stoner metal albums out there. It’s like having some chocolate milk to down that enormous steak you just devoured. The lyrics appear to be stories about Jerusalem, travelling over the desert, and other biblical fare, but the characters are replaced with people like "Weedian," "Marijuanaut," and "Hasheeshian." The riffs spend a lot of time droning on an open string, often coming in with the other notes, these ultra-sabbathian progressions, when you least expect it; it isn't at all technical but I think nailing this song on guitar would take a very large amount of playthroughs. For experimentation, for length, or concept, speed, sound, hell even feel Dopesmoker does all these things. They ride on that riff for about 5 minutes, then we drop into a break, and what? It stands out to me as something different, even within its given genre. Somewhere around this point you don't even know anymore if the band still play the riff from the beginning. They were a legendary band who recorded 3 career defining albums in a short space of time. 60 minutes that should've been 15 minutes, a tome that is elongated, prolonged, and stretched out, but with no new material, no new inspiration, which makes it more of an excercise in torment than hypnotic meditation. "Sonic Titan" as performed live is a slightly faster track with a more rocky and hardened feel. This is the first absolute stone-cold genius moment on this beast. Slow and heavy, not being eager to lead you to anywhere quickly as if the riff itself is a guide that knows that he has all the time in the universe. This record is an example of music made only for the chosen few. That doesn't happen often This album is like Breaking Bad. This has, like I said, probably less than 10. Prepare for a totally new listening experience because this album sounds unlike anything you have ever heard before. Long songs are good... they give you more time to appreciate the inherent properties of the song you're listening to, and give the composer more time to evolve ideas into dramatic themes that sweep the listener away with their majesty and terrible might. It's no secret that Sleep smoked a hell of a lot of marjiuana, and the lyrics certainly reflect that. Just one look at the album makes it irresistible. Less an exercise in musical technique and moreso an exercise in memorising decimal places in pi. This is widely considered Sleep's #1 Masterpiece aside from Sleep's Holy Mountain. The lyrics of the whole journey are what really complements the experience. moment? The riffs could maybe be a bit more interesting. View credits, reviews, tracks and shop for the 2012 Green Translucent Vinyl release of Dopesmoker on Discogs. Both Dopesmoker and early releases of the album received positive reviews from the music press. May 14, 2012. I honestly like this more than Holy Mountain all because of the conceptual storyline balanced with the heavy riffage and thick swampy production and bass. There are little dynamics, change, evolution, whatever you want to call it, much less any buildup to an epic, exciting peak, on Dopesmoker. It starts of with a little looped guitar noise that slowly increases in volume and leads the listener to the first riff. 4 bucks. After that, Sleep return to business as usual, concentrating on pushing that pulsing deep rhythm ever onwards, wherever it may lead, with emphasis on long extended bass drones, a steady time-keeping drumbeat and chanting vocals. The lyrics are an amusing mix of marijuana references of God. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on January 26, 2017. Well I finally got hold of DOPESMOKER and found out. It contains one sixty-three minute long song and one nearly ten minute long bonus song which was recorded live in the studio. Originally released in 2003, following some label issues and prior versions, Dopesmoker is Sleep's final album and a stoner metal classic. It's the heaviest stuff ever put on record. Imagine Rust Never Sleeps -era Neil Young guitar tones meeting slowed down Black Sabbath riffs. See, I also enjoy the Melvins, a band who's voyages into slow-motion trance doom have always tripped me out (especially the LYSOL EP, which is everything DOPESMOKER is not). Heaviest album ever? When there is a defined riff going on, they ride on it for about 10 minutes at a time, hypnotically pounding it into the listener's brain until the ears are numb. I first heard this album when I was in middle school and I loved it. Everyone who's anyone who likes anything genre with the prefix “stoner” knows Sleep. It is sheer heaviness and genius beyond belief. Early recordings by Earth have the same semi-trancy effect on me, but as they usualy exist in 10 to 20 minute doses, they're a bit easier to swallow and digest. Before this all subsides into the calmest, fuck, maybe even most MELODIC piece on the whole album. And some more lyrics. I know, it is a remake of Jerusalem, but I had already heared the original version and I wanted to try this. To write, arrange, and compose this piece takes so much patience, but listening to it takes no effort. I found it. While I admire the idea of creating a song that is more of an experience than a song, so long it traverses many moods and feelings, Dopesmoker failed before it even got out of the metaphorical hangar, being a good idea on paper but failing to translate to audio. I thought so. Reviews CD Review: SLEEP Dopesmoker. I think I kind of planted the idea in your head. It also analyzes reviews to verify trustworthiness. Originally slated to follow closely behind their second album of a decade earlier, the landmark Sleep's Holy Mountain, it lingered in unreleased limbo instead -- the subject of a vicious legal dispute between the Northern California trio and their record … Dopesmoker is definately an experience anyone with a remote liking for Doom should take part in. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. It would be a safe assumption to say that for most of the music listening populous Sleep's opus, Dopesmoker, would be the musical equivalent of undergoing trephination while overdosing on Ambien, but for those with an open mind and a spliff it is nothing short of nirvana. WITH BONG IN HAND” It does not deviate from the slow speed of doom/stoner metal, nor does the heaviness. If you want to get acquainted with lengthy Stoner Doom tracks, this is the way. Classic stoner metal. But his vocals are sporadic in this song, which seems to very amorphous structure. The first real change in guitar work occurs at about 14 minutes when the riff stops and an epic solo starts which sounds (like the rest of the solos on the album) like a classic Doom Metal solo and a really awesome one too. Like everything else in the song, they all sound the same anyway. The album is slow, heavy and takes patience for those not acquainted with the Doom Metal genre. It takes him a whole 16 second to sing that one line, and it’s a further 17 before he launches himself into the even more ridiculous second line; weird. By. A bass wielding, chanting God. All that is here is monotony that seems to stretch on needlessly, and I feel that the same (if not better) effect could have been achieved in a much shorter time frame – is there a ten-minute version of this song anywhere? A lot of people view the lyrics as corny but really they are full of originality and creativity, it describes a long, hazy, smoke filled trek that only the most open of minds can handle. Weird, trippy effects, odd sounds at certain places....it seems like everytime I listen to it I hear something new. Immediately after the solo the Weed Priest chants a line which surprisingly turns out to be a quite "catchy" one. The drumming is very much like Bill Ward's style, and is very hypnotic in nature; the crash cymbal is used to keep time for 90% of the song. As far as inducing alternate states of mind and leaving an impression on me... Dopesmoker doesn't. It is not monolithic, unless you call plucking the lowest strings on your guitar and bass and letting them ring monolithic. Another effect can likely be attributed to production is the feel of the second guitar solo, at 39 minutes into the song. It stays at one tempo the whole time, which is a long time. The drums and the bass- and this is probably where Sleep are so much better than their million clones- are pretty busy and spend a lot of time noodlng around. Then, just to emphasize the no-frills-attached no-bells-and-whistles form of pure meaning he’s just unleashed, he sings both lines again. As with "Jerusalem", this is a deeply immersive work that relentlessly sinks you into its intensely focussed world: the first 10 or so minutes build up the deep driving bass-heavy grind and the solemn, gravel-edged yet intense and slightly aggressive robot vocals (suggestive of iron rimmed with rust) and it's only about the 15th minute that lead guitar breaks away for a brief hurried solo. There are also lots of mentions of important biblical places, but I think these are only there to an even clearer picture in your head. You will be glad you did. The chorus-ed up guitar picks a weird semi-melody over some of the most restrained and down-fucking-right TASTEFULL drumming and bass playing I’ve ever heard. I also can't stress enough how trippy the vocals can seem, they make it even mor eof a unique experience. You can still see all customer reviews for the product. The Bay Area … A little bit of fuzzed out soloing happens somewhere under the smoke, and they ride a nice little heavy riff to a close, nearly 10 minutes later. The vocals which are just as gravely as the guitar and bass, the same vocals which have no form fitting in the composition and appear and vanish just the same. AND... as an added bonus, for those of you who survived that 63 minute onslaught, we have "Sonic Titan." Get this, if you can find it. If you didn’t get the heavy imagery, I’ll just state it for you- IT’S FUCKING HEAVY. Now that’s not to say that there are no highlights in this fucking leviathan of a song. The whole idea of the unearthy caravan walking towards the riff filled land is more than extraordinary and awesome. I guess on some level it is those things, but I'd rather be hypnotized by interesting and multi-faceted music than by dull, monomanical music. The vocal is more naturally human and the music follows the singing almost note for note, injecting a jagged and very hard, almost brutal mood. What a beautiful slab of heavy, sludgy, riff laden mastery this is. But when I heard underground rumblings about Jerusalem and it's proposed 60 minute single song running time, I got a bit skeptical. There are criticisms, I guess? worship) to it, but it doesn’t exactly flow well on this album considering the gargantuan that just followed it. Dopesmoker is long for the sake of being long. Then you wake up. Sleep and their splinter groups all share the same sonic approach: detune the hell out your guitars, fire up all of your distortion pedals at once, and grind out filthy, hypnotic post-thrash metal. The riff that seemed agonizing at first, now builds a mighty wall of sound accompanied by the other instruments. The subject matter here is sort of a cross between something from the bible, and stoned ramblings. After minute three it becomes really roaring and smashing and honestly, if I was to hear it spontaneously while passing around some random place, I would have thought that it is a collapsing mountain. It's pretty much what I expected, only a bit worse. Originally recorded back in 1995, it languished in mostly unreleased form until 2003 when Sleep (the unholy trinity of Al Cisneros, Chris Hakius and Matt Pike) finally started getting the attention they always deserved. It works too, the percussion perfectly in time with the guitars, the bass high in the mix, and the vocals booming over everything. This record is the reason we listen to music. Al is an amazing songwriter too, well to stoners at least. It's got tone, drone, and is just massively crushing. His bass is quite deafening, and is very much as big a part of the music as the guitar is, and his playing is superb as always. Everything's stopped and the bass is dragging on. I'm a little reluctant to be effusive about this record, as I have mixed feelings about the lyrics. I hear some fans of the album screaming: "That's not the point! Sleep has never been better. And in the wake of HIGH ON FIRE and their terrifying rumble I became more and more curious about what I'd missed out on. Let the song take you places, it's an amazing experience. There are some nice tom rolls and other fills scattered throughout, it's not a boring ride through this song when it comes to percussion. Sleep play with words that just sound epic and kind of dark sometimes and also here and there use references to some magic green plant. The general heaviness continues to hold out until the end, where we are greeted out a riff that seems very similar to the one in the beginning. However, if you pay some hours listening to it, it slowly starts to reveal its sonic magic to you. Dopesmoker as a song and as a record is one and only. And it is, just that, a thing. Listen for a minute. It could never be topped. Needless to say, the record company didn't approve of what Sleep had layed down: a little more than an hour's worth of stoned jamming. Close you eyes and concentrate on the music, let it guide your thoughts and let your mind explor eplaces you don't normally go. If you like stoner, sludge, doom, drone, ambient, noise, or ANYTHING, or just want something downright heavy, evil, thick, and epic as all fuck, GET THIS!!!! Your mind is outwardly thinking “WHAT THE FUCK” and in doing so, takes in absolutely everything. You simply have to listen to it at least once in your life. His solos are less frantic and schizophrenic than those on Holy Mountain, but they still kick ass. Drums come in eventually, and so does the bass. Just got back from an hour commute. Lots of vocals, but they don't start until 20 minutes in (I'm discounting the live song on here -- it's a great song, but sounds like it was recorded by someone with a cassette recorder under their jacket). Not to mention SLOW (what were you expecting; it is a FUCKING HOUR LONG). It's an experience and every listen is different. The album lives and breathes through it's repetitions and minor changes and I couldn't think of another way to create this kind of monolithic atmosphere. But a couple months later, I decide to give this a try and it absolutely DESTROYED MY BOWELS. Everything is exactly the same as it was before, but I LOVE IT! This album is close to my heart and I can zone out of whatever bullshit I'm in and enjoy being in the world of Sleep's wacky weed lore. They got me thinking onetime when I was smokin, marijuana users are kind of like Christians in the old times. His work on all of Sleep's albums, especially this one, are testaments to stamina and skill, and he's damn good at what he does. Featured peformers: Arik Roper (artwork). The singer/chanter, the crushing guitar tone, the "wall-like" bass, the relentlessly pounding drums, the solos... everything. This album gives off a…gospel-like vibe when I listen to it, and Al just sounds like a God with his general bellowing of his lines. SURGING SOLO PINES INTO ABSOLUTE The skulltree on the CD and the flying 3 headed misty horse on the CD case are so fun to sit and stare at when you're listneing to this song. The vocalist sounds like he is struggling to take a massive dump, but fortunately, vocals are more sparse than in most songs. I think I don't even need to add how you can boost the awesomeness of the album even further. That makes it METAL. You'll hear different things in it every time, and every time, it'll leave you needing painkillers because you *will* have a headache after listening to this all the way through, I guarantee it. Genres: Stoner Metal, Doom Metal. The words are mostly unintelligible, even though you’re able to catch the occasional “WEEEEED” or another marijuana reference. This is Moses talking to God on Sinai. Matt Pike is a master of riffs and distortion who has mastered the ways of Iommi and taken Sabbath to a whole new level of Doom and added a thicker cloud of Marijuana haze to their stylistic design. In comes some very, very distorted vocals. The contract fell through, and Sleep disbanded. I'm at about 16 minutes right NOW, and this is the most fuzzed-out, weed-induced holy motherfucking explosive album I've heard in a while. The bass is audible, usually following the guitar. My final verdict for this album is a 10/10 100% Masterpiece. Sleep chose the second route and succeeded magnificently. This is the point when you realize they’re not “sub-humans” like I said back there, they’re super-human-7-foot-tall superior beings, fucking with our feeble minds and preconceptions. 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