Instructor: Martin Ponce Instructors: Christiane Buuck, Daniel Seward and Christa Teston English 2277: Introduction to Disability Studies But the popular notion is wrong. The televisual revolution of the first decade of the 21st century focused on shows like The Sopranos, The Wire, and Breaking Bad–sprawling serial empires that reshaped the default format of storytelling seriousness, the hour-long drama. Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Instructor: Christa Teston Pourin’ off of every page This class will train you in core analytical methods that will enable newcomers to the series as well as longstanding fans to understand Game of Thrones at a deeper level of richness and pleasure. One result of this is that the field has cut itself off from the insights that might be gained from this rich and understudied history before formats like the comic book and graphic novel were devised as solutions to historically specific challenges. Experience Prereq: 4150 or CSTW 4150, and 2 courses in Professional Writing minor. English 4522: Renaissance Poetry Instructor: Jessica Prinz Salinger, Octavia Butler, Ted Chiang, Justin Torres, Carmen Machado and Trevor Noah. Through readings of key literary and scholarly texts and viewings of documentary films and other visual artifacts, we will consider a variety of topics that extend from the 19th century to the present: Chinese immigration and exclusion, U.S. colonialism in the Philippines and Filipino immigration, South Asian labor migrations, Japanese American internment and redress, U.S. and Asian settler colonialism in Hawai’i, the complex aftermaths of the Korean and Viet Nam/American wars, the Asian American movement and the activist roots of Asian American Studies, the “model minority” myth, the transformations of post-1965 Asian America, and the reconfigurations of race and religion after 9/11/2001. Prereq: 6 cr hrs in English at 2000-3000 level, or permission of instructor. As Robert Bridges wrote, "The remarkable thing about Shakespeare is that he is really very good -- in spite of all the people who say he is very good." This course covers British poetry written between 1789 and 1901, encompassing the Romantic and Victorian periods. Instructors: David Brewer I'll ask each student to present two essays for workshop discussion. Instructor: Martha Sims An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. We'll also consider how the open embrace of magic has contributed to the (traditionally low, but recently rising) cultural status of fantasy. How are science fiction novels (and films) constructed? Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. This course will offer training in research methods and data analysis and will use the Writing Center as a research space, with a hands-on practical learning component that includes observation, supervised tutoring and ultimately concludes with employment opportunities at the Ohio State Writing Center or within the Writing Associates Program. Using theories of intersectionality, we will examine texts such as the first original play published by an Englishwoman, early works of science fiction such as Margaret Cavendish's The Blazing World, Shakespeare's poems, and travel narratives. English 4520.01: Shakespeare In this course, we will read several well-known and lesser-known plays by Beaumont and Fletcher, as we consider how these plays engage with such important early modern topics as courts and kings, gender and sexuality, London and colonialism, revenge and tragedy. In so doing, we will consider what we gain by approaching films in relation to their chronological peers, rather than organizing them by genre or director. $1,430. Instructor: Zachary Harvat Instructor: Staff We will consider various interpretive, theoretical approaches to examples of folklore and folklife, and we will investigate the history of folklore studies. Advanced workshop in the writing of creative nonfiction. Instructor: Thomas Davis This course introduces students to the major periods and authors of the African American literary tradition from the colonial period to our contemporary moment. Over the course of the semester, class sessions will also include several videoconference sessions with working musicians from the local and national scenes who will talk to us about writing lyrics and about our interpretations of their songs. A great grand tour of British Literature from the Napoleonic Wars to Brexit, with a special emphasis on the collision of history and literary form. We will read an array of short stories and short novels by various authors who have experimented with fiction over the past two centuries, including Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Charlotte Perkins Gilman, Flannery O'Connor, Charles Chesnutt, John Barth and more. English 3466: Special Topics in Intermediate Poetry Writing In this class, therefore, you will practice rhetorically sound, professional writing by partnering with a real world client. Does it speak to a broader mood of political paranoia? This new medium—the illustrated periodical of the 19th century—will ultimately give way to the rise of the newspaper comics supplement at century's end, which will provide our final unit of focus. Assignments: 6 in-class quizzes, 6 brief response papers (2-3 pages each), one longer paper (5-8 pages). Instructor: Jessica Prinz Instructor: Jill Galvan At the end of the term, students will verbally present their research during our in-class Colloquium. Instructor: Staff This course will take up the study of digital media and its relationship to messaging and storytelling. Who gets to be considered alive, and under what conditions? ENGLISH-4575: Special Topics in Literary Forms and Themes—Tainted Love: Queer Narratives, 1963 to Present Day We will study a selection of classic essays in narrative theory, and we will read and analyze a variety of mainly literary narrative- fairy-tales, short-stories, novels, one graphic narrative and at least one film. Students will be evaluated by short writing assignments, a virtual group presentation and midterm/final exams. English 2281: Introduction to African American Literature English 4551: Special Topics in 19th-Century U.S. English 4578 (30): Special Topics in Film — Film and American Society after World War II Provides intensive practice in integrating academic reading and writing. This course will introduce students to a continuum of technical editing practices: developmental editing, comprehensive editing, focused editing (for style, structure, design, etc. English 3398: Methods for the Study of Literature English 4586: Studies in American Indian Literature and Culture ENGLISH-2265: Introductory Fiction Writing We will read broadly in the area of twentieth- and twenty-first-century fiction, focusing on the theme of science. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy This is a second-session autumn semester class that will proceed at a double-time pace. Films: The Best Years of Our Lives, Blackboard Jungle, Rebel Without a Cause, Invasion of the Body Snatchers, A Raisin in the Sun, English 4578 (30): Special Topics in Film—Re-imagining the Half Hour: Contemporary Television Comedy. What are the basic narrative practices and structures of television—and serial television in particular? English 2269 (40): Digital Media Composing—Audionarratology. What does unite the diverse manifestations of this genre is the presence of the writer on the page — exploring, asking questions and framing subject matter for the reader. It’s not always easy to find a long-term partner on the gay dating scene, particularly if you have a clear idea of what you want in a man. GE: Literature, English 2261: Introduction to Fiction An introduction to the theory and practice of editing and publishing literature. Study of sites of literary importance and texts connected with them in the British Isles, Ireland and elsewhere. GE: VPA. *In this course, you will learn principles and practices associated with writing well in business and professional contexts. For students who have experience with the basic elements of writing fiction. These stories show us something about the complexity of human existence by concentrating on characters and their conflicting wants, needs, fears, hopes, etc. GE: Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2, English 2367.02: Literature in the U.S. Guiding Questions: What does the Bible say and how can I interpret it? Text: The Norton Shakespeare, ed. We will sample lyrics by some of his contemporaries, including Leonard Cohen, Lennon and McCartney, Joni Mitchell, and Paul Simon. GE: Writing and Communication (Level Two) Students will also learn about important poetic forms (e.g., the ode, the sonnet, and the dramatic monologue), as well as about important literary modes and movements (e.g., the Gothic, the Pre-Raphaelite Brotherhood and Aestheticism). GE: Writing and Communication—Level 1, English 1110.03: First-Year English Composition — Meanings Behind Movie Posters Literature. The class will be a forum for the discussion of a variety of issues and will be most rewarding for both students and instructor if you are actively engaged and committed to lively classroom interaction. And that’s just the first book. This is a community-oriented class, encouraging intersectional class consciousness towards the Columbus area and its populations both represented and absent from our classroom. Connections are made. This will ultimately equip you with the skills to more critically understand speaking and writing style, including “good writing” and products designed to encourage it, such as usage handbooks. Instructor: Karen Winstead Literature often celebrates the space between worlds, whether an immigrant coming to a new land, a soldier navigating no-man's land, a woman negotiating the barriers of gender and class. Instructor: Lauren Squires Scientists have long told us that climate change will reshape how we know and interact with our world. However, it was also a period in which chattel slavery was legal and that saw rising social inequities as the American population grew larger and more diverse. English 3405: Special Topics in Professional Communication — Organizational Writing for the Web This course will include meaningful engagement with contemporary 20th century writing. On his return to England, the publication of Childe Harold's Pilgrimage made him famous overnight. This class will train you in core analytical methods that will enable newcomers to the series as well as longstanding fans to understand "Game of Thrones" at a deeper level of richness and pleasure. We'll focus on in-depth practice in creating fully believable, three-dimensional characters. Many of his plays have been performed continually over the last four centuries, and they have been adapted into every artistic medium imaginable, in languages and cultures across the world: novels, plays, poems, films, ballets, operas and comics. If corporations have rights, why not water systems? In our course, we will focus on the literature of these social reform projects: women’s suffrage, abolitionism, temperance, worker’s rights, immigrant rights, agrarianism, sexual liberation, prison reform, and financial reform. Make your mark documenting the expressive culture you know most intimately and that you value most and expand the consultable record of human experience. Section 20 instructor: John Jones Poets ranging from Wordsworth to Oscar Wilde were some of the first writers to grapple with the modern world as we know it. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences and create meaning, and how these practices are learned and taught. David laments Saul and Jonathan. In this class we'll explore, through close examinations of novels, essays, films and other media, the many ways illness narratives intervene in our shared and individual conceptions of illness. Theories and practices in tutoring and writing; explores writing-learning connections and prepares students to work as writing consultants/tutors for individuals and small writing groups. English 2265 (40): Introductory Fiction Writing English 2367.07S: Literacy Narratives of Black Columbus What poetic devices do metaphysical poets like John Donne and pop artists like Katy Perry share in common? English 2263: Introduction to Film Evaluation will include short writing assignments and a final take-home exam. GE: Writing and Communication (Level Two), English 2367.05H: The U.S. ENGLISH-2276: Arts of Persuasion English 4321: Environmental Literatures, Cultures and Media — Environmental Humanities Creative work will definitely be an option. English 4520.02: Special Topics in Shakespeare — The Merry Wives of Windsor Students will analyze texts to gain a practical and theoretical understanding of the world of work. each), a term paper (5-7 pp.) We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts published in a variety of venues (e.g., popular magazines, film-trade publications, books of sociology and psychology) during the era in which these films were produced and exhibited. Films include Reluctant Fundamentalist and Mississippi Masala. Our emphasis throughout will be on how fiction works and why we should care about its workings. ENGLISH-3468: Special Topics in Intermediate Creative Nonfiction Writing Finally, each actor must make a host of interpretive decisions about the character that he or she plays. We will also explore the crosspollination of devices used to give shape to filmic and comic book storytelling modes. Experience — Literacy Narratives of Black Columbus Works will include songs by John Dowland, Thomas Campion and Henry Lawes, emblems by Geoffrey Whitney, Francis Quarles and George Wither, the remarkable cut-and-paste illustrated Bibles of the Ferrar women of Little Gidding, the court masques of Ben Jonson (poet), Alfonso Ferrabosco (composer) and Inigo Jones (designer and architect), and Shakespeare's The Winter's Tale. For students who have experience with the basic elements of writing poetry. Instructor: Karen Winstead For still others, Wilde is an iconic gay man, remarkable for his sexual expression in his life and his art and ultimately tragically condemned for it. An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. Instructor: Alan Farmer In the process, you will be learning about diverse perspectives on important cultural developments over the past two centuries, including the French Revolution, the abolition of slavery, the Industrial Revolution, imperialism, debates over gender roles and sexuality, the rise of scientific values, the twentieth-century world wars and decolonization. osu federal credit union. This course will explore the pleasures and insights of poetry: reading it, reciting it, listening to it and even writing a bit of it. English 4559: Introduction to Narrative and Narrative Theory In this introduction to Shakespeare, we will read five or six plays representing some of Shakespeare’s range, including some of the most canonical and some that are less well known. Readings will include stories by beloved writers such as Jhumpa Lahiri, Laura van den Berg, Xuan Juliana Wang, Toni Cade Bambara, Garth Greenwell, Grace Paley and others. Admission to English 4565 is by permission of instructor only. English 4543: 20th-Century British Fiction—Fiction and Politics at the End of the British World System Instructor: Staff Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. This course is an introduction to English linguistics. We spend each day in a flood of communication about illness and disability (and related ideas, including “health,” “wellness,” and “self-care”). Special topics focus on particular aspects of the genre; advanced techniques are explored. Thing long before the modern world as we know is clearly not real devote., discuss and construct a series of activities throughout the course Bulletin [ PDF ] for this workshop be. 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